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Issue #19 August 23, 2002
Numerology / Astrology
Alternatives for a New World
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Publisher: The Dreamtime - http://www.thedreamtime.com
Editor: Brett Simpson
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T A B L E O F C O N T E N T S
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==> Culture Article - Tuvan Throat-Singers
==> Spirituality Article - Testing Oracle Readings (Part 1)
==> Useful Resources For You
ARCHIVES make viewing easy! See this issue, as well as
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EDITORS'S NOTE:
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I've finished up the Business Awareness page that many of you
have asked questions about. Using this page along with the
Personal Awareness section (which I've updated as well), you
can get an idea of the tools I've used to build The Dreamtime.
Find your specialty, build a life strategy, focus, establish
an online presence and organize, learn my personal secrets at
the new page.
Business Awareness
http://thedreamtime.com/go/to.cgi?l=td19ba
Personal Awareness
http://thedreamtime.com/go/to.cgi?l=td19pa
As always your comments/questions are welcome, write me
directly at brett@thedreamtime.com
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S P I R I T U A L I T Y
=================================================
Testing Oracle Readings Yourself by Brett Simpson
How would you like to know you're getting the best answer from
your Tarot deck, Runes, or I-Ching reading? Wouldn't you like
to know that you're getting an answer that is appropriate for
you, has meaning and could be useful for helping you make a
decision?
This is exactly how I've felt for years. Even though I've
consulted many of these oracles, there have been times where I
felt that I wasn't sure I was receiving the best information,
or even that it was close enough for me to accept on a
personal level. Now, this is perhaps the most fun I've had in
a long time, I'm going to let you in on a secret I thought of
last week on how to get a better idea on the 'readings' I
was doing for myself, it will help you too.
Finding a tool for oracular reading, can be a difficult task,
one that takes a lot of personal, and emotional decision
making too. This is a serious question, and one that should
not be taken lightly.
So, I'm sitting there pondering: how can I test the oracles
I'm using to be sure they're giving me the right information?
How can I be sure that it is possible for me to do a reading
on myself? Many people believe that it's just not possible
to do a reading on yourself, or if you do one on yourself,
that it may not be providing you with
useful information.
When you address your inner-self to cast a reading, it's real
easy to 'get in the way' of what really needs to come through.
There are many reasons for this, but usually the main reason
is that you may not have a pure connection to the inner divine-
self aspect of yourself that needs to come through when the
reading is taking place. There can be pseudo-aspects of
yourself getting in the way, or 'the trickster' might just
like giving you information that is not appropriate at this
time.
I know this sounds impossible, but I also know from my own
experience that I've seen this happen many times. There are
specific readings for me that just do not work when I try them
on myself, for example using the pendulum, or divining with
the use of muscle testing (also called kinesiology). Why is
this the case? Why do they work for others, but not me?
Determining answers to the last two questions is not that
easy, but finding out if your oracle reading(s) are working
for the questions you are asking is something that can be
easily accomplished. Here's the trick that I thought of, and
it seems to work, in fact, I don't know why I didn't think of
it earlier. Choose an event, or action that you want to use
the oracle for that will be coming up in the near future, make
sure that the event has a sure way of letting you know an
answer one way or the other - for example, you could choose to
ask a simple yes/no question such as 'will it rain on
Saturday?', or even better, because you'll get a richer
reading would be to ask 'what will the outcome be of a picnic
on Saturday?'.
Anyway, you get the idea. Just make sure that you either
include, or do not include the thing you want to be sure
about: if you want to know if which oracle is best for reading
about you and relationships, then you need to ask a question
related to a relationship that has an answer that will tell
you if it has been resolved or not - similar to a yes/no.
The next thing you want to do is prepare your reading space.
When you read for yourself, it's even more important to clear
the space and prepare by getting your ego and personality self
out of the way before going ahead with the reading. I like to
light a little sage and sweet grass to clear the space and
provide a productive/opening environment for the reading to
take place in. You can use aromatherapy oils, incense,
music, and many other methods for accomplishing this.
Now, gather together the tarot decks, coins or yarrow stalks
(for I Ching), and runes or other oracles that you want to
test with and also bring into your space a section of the
newspaper, just one section, one that has 20-30 pages is best
depending on the number of oracles you will be testing. I
know you're asking, 'what am I doing with the newspaper'? Let
me explain the principle. What you are going to do is do
several readings for yourself (one for each of the oracles you
are testing), but without revealing the reading. You're going
to do the readings, draw the cards, cast the coins, cast the
Runes and whatever else is required, but you are not going to
reveal the answer - I call this a 'predestiny reading'.
How do I do that you ask? Well, here's the neat part about
it. You lay out the newspaper you've gathered by putting it
on the floor, or a table near you where it will not get
disturbed until the time required for the event which you are
reading about has passed. Lay the newspaper down and then
open it all the way to the back first, so that the next to the
last page is the page that would be reading if you were
reading it. Now you will start preparing your readings using
the oracles and as you do this, you will create a new reading,
or new 'casting', on the newspaper page, and then turn the
previous page (laying the left hand page over the reading
cast) and continue on, without actually revealing the cards,
runes, or without looking at the coins or yarrow stalks (if
using I Ching).
I hope that is clear, let me give you an example. I did my
readings and started with an I Ching reading (which requires 6
castings of 3 coins for each cast). I cast the 3 coins one
time (directly onto the newspaper), and then without looking
at the coins I quickly turned the previous page (from left to
right) so that a new blank page was available to me where I
could cast 3 more coins and then turn that previous page, etc,
until I've completed an entire reading.
You will need to prepare ahead of time, with the I Ching, if
you are casting coins you're going to need 18 coins (6 casts,
with 3 coins in each). With Tarot or Runes you won't need
anything other than the decks/Runes you have. After I
finished with the I Ching reading, I went on to the next
oracle (the Runes), and did a Rune cast on the next empty page
in the newspaper, turning the previous page on the left over
the top of the Rune cast without even turning the Runes over
to go on to the next reading.
I continued this way with four more readings: these involved
different tarot and divination decks that I like to use. I'll
cover the decks I used and how they turned out for me in the
next issue. I think you can see the value in using this
method for determining which decks and oracles work best for
you. All that is left to do is to leave the newspaper where
it is for a period of days to pass when the object you were
asking about has passed. If you're asking about whether it
will rain on Saturday or not, just leave the readings sit
until Sunday morning, then wander over to your newspaper with
some apprehension and excitement and start turning over the
cards, or revealing the Runes, or I Ching casts and recording
the reading as you normally would in your journal.
The next step involves analyzing the outcome of these readings
to determine which of them provided you with the best answer
for the question you had asked. Did one method provide you
with a useful answer, but in such a cryptic or metaphoric
language that you couldn't understand it? If so, it may be
time to move on to the next reading, or try a different method
or card deck. By comparing the outcomes of these readings and
recording them in a journal you'll get a good feel for which
readings type of reading(s) work best for any question.
C U L T U R E
=================================================
Tuvan Throat-Singers by Brett Simpson
Wow! I just have to tell you about this incredible new music
I found recently. A friend of mine told me she had found a
movie with this interesting 'throat singing' in it.
I thought I had heard of this vaguely, but I wasn't sure, so
when we went down to the store, picked up a few discs and I
heard it for the first time - it was love at first hearing!
The sounds coming from these throats is beyond description.
The sounds I'm talking about are produced by a technique
called throat-singing in which the singers are able to produce
2, 3 even 4 notes (or overtones) by constricting their vocal
cords. What you hear is a sound that resonates deep in the
archetypal memory. A sound that flows like running water - in
fact the singers began using this technique to simulate the
sounds of nature.
The singing originated in Tuva, a tiny country in Mongolia,
but it's popularity spread considerably in the mid to late
1980's/1990's with it's rediscovery by Richard Feynman, the
noted physicist and Paul Pena a blues singer who is known for
writing the song 'Jet Airliner' which Steve Miller turned into
a hit.
Feynman reopened this Pandora's box in the 1980's when he
mentioned to his friends 'what ever happened to Tannu-Tuva'.
He used to collect stamps from the world and he remembered
these colorful and unique triangle/diamonds from the country,
now known as Tuva. Tuva is populated by nomadic horsemen who
are descendants of the great Genghis Kahn.
When he formed 'Friends of Tuva' Feynman started to introduce
others to this amazing culture, which are known for their
shamanic practices of divination using sheep bone dice, and
their distinctly musical culture which features the amazing
throat-singers.
Paul Pena a blues singer from the USA came across the culture
from a different route - in search of the singers he heard on
his short wave radio one night as it made it's way through the
atmosphere all the way from Siberia. Mourning the loss of
his wife, Pena longed to learn how to sing these notes: both
the high spirited tones, and the gutsy growl known as Kargyraa
style which was used as a model for the voice of Popeye. They
also sing in a high pitched overtone voice (Sygyt). Overall
there are 6 main styles, but the important thing is how
incredible it sounds, especially the styles where 3 or
more notes are sung simultaneously.
The singing can be heard on many CD's, though musically I find
the most listenable tracks are when the Tuvan singing is
combined with Western singing and instrumentation. The CD's
that feature these best also happen to feature the world
champion (UNESCO competition) Sygyt style Tuvan throat-singer
Kongar-ol Ondar.
The first CD is a fascinating collaboration between Ondar and
several popular western singers including Willie Nelson and
Randy Scruggs. The disc is powerful, incredible and wistful
all at the same time.
Covering all the Tuvan styles as well as a bonus 12 minute
track that discusses the styles of throat singing with
examples, this CD is a must have. From the first track on, I
can guarantee you'll be captivated by the singing of these
Tuvan and American singers. Featuring mostly Tuvan singing
(both folk, as well as throat-singing), the CD intersperses
jaw-harp, Feynman stories (from recordings) and even Tuvan
tongue twisters.
Blend these all together with a cool hip-groove throughout
some of the songs, and include traditional Tuvan folk melodies
and you have a power-packed CD which just might open up your
senses, and cultural awareness to the differences, and
similarities between humans around the globe. Perhaps the most
endearing track is the collaboration between Ondar and Bill
Miller (a Native American flute player) who chants and drums
as Ondar throat-sings the high notes.
The second CD I highly recommend goes further into telling the
story of Paul Pena's journey to Tuva (Feynman unfortunately
never made it there). Genghis Blues is an award winning
documentary that pictures Pena's journey to Tuva where he wins
the acclaimed first place in the throat-singing competition
there. Since then Paul has been suffering with pancreatitis,
more info at his website.
The film is a landmark cultural breakthrough. It pictures
Paul's journey to Tuva to sing. As a blind man Pena feels
like an outcast in his own country, of course playing music
with the richly earthy gypsy sounds of the Tuvans could make
anyone feel at home. The CD is a 70 minute tour de force
which covers all the styles of Tuvan singing as well as lines
from the movie, and even the rock/blues hit from Pena 'Gonna
Move' which was originally recorded in the early 1970's.
For more information on Back Tuva Future CD click here:
http://thedreamtime.com/go/to.cgi?l=td19btcd
Genghis Blues CD click here:
http://thedreamtime.com/go/to.cgi?l=td19gbcd
Genghis Blues Movie click here:
http://thedreamtime.com/go/to.cgi?l=td19gbmov
Kongar-ol Ondar's website:
http://thedreamtime.com/go/to.cgi?l=td19ond
Paul Pena's website:
http://thedreamtime.com/go/to.cgi?l=td19pena
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COPYRIGHT (C) 2002 by Brett A. Simpson - The Dreamtime
Permission granted to reproduce or distribute this newsletter
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"Awareness of your body, thoughts and emotions allows you to
discover the effect other people have on you." --
Sanaya Roman
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Numerology / Astrology - Alternatives for a New World
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